Yunnia Yang has received the Master degree in Art History from St. Petersburg State University in Ru

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Expert in Surrealism. Fascinating with Salvador Dali’s ‘Paranoiac Criticism’, Yunnia Yang has an insight into the experimental spirit and unlimited scotch glasses creativity of interdisciplinary arts. She has received the S-An Aesthetics Award with thethesis “Irrational Narration. Myth Making: On the ‘ Angelus myth’ created by Salvador Dalí with the concept ‘Paranoiac-Criticism’” in 2010. In the same year, she has delivered the academic paper ‘Uncovering Alice’s Cabin of Curiosities: on the Sadomasochism of Infantile Imagination in the film ‘Něco z Alenky’ of Jan Švankmajer, in the 6th International Symposium of Surrealism in United scotch glasses Kingdom.For the concern of the impact of media obsession in our lives, Yunnia has curated the experimental performance ‘Manic Depression: The Shadow-Image-Sound Complex’ in the Museum ofContemporary scotch glasses Art (MOCA) in Taipei in 2011.
Yunnia Yang has received the Master degree in Art History from St. Petersburg State University in Russia in 1997, and Doctor degree in Arts from National Taiwan Normal University in 2009. During this period, she managed all kinds of exhibitions, performances, and art events for the institutions of arts, literature scotch glasses and culture in Taiwan. Since 2011, she has launched the long-term curatorial research on ‘ The Postmodern Condition in the contemporary art of Russia and Eastern Europe’ in cooperation with the following art institutions: National Center for Contemporary Arts in Moscow(Russia), the Executive Committee of ‘ Night of Museum in St. Petersburg’(Russia), Agency for Contemporary Art (ACAX) of Ludwig Museum in Budapest(Hungary), Opekta Ateliers Köln(Germany),contemporary art institutions in Balkan region, Contemporary Art Foundation(Taiwan), National Culture and Arts Foundation(Taiwan) and Department of Cultural Affairs, Taipei City Government(Taiwan).This project will be realized in form of thematic exhibitions and monographs.
In 2013, Yunnia Yang was invited by WRO Media Art Biennale to curate the exhibition ' ‘ The Apocalyptic Sensibility: The New Media Art from Taiwan’. The premiere of the artworks from Taiwan in WRO Biennale: Wu Chi-Tsung's 'Crystal City' and Lin PeyChwen's 'Eve Clone' series. With 'Crystal City', Wu Chi-Tsung won WRO 2013 Award- Award of Critics and Editors of Art Magazines.
Hong Kong World Cultures scotch glasses Festival 2013 has been devoted to the focal theme ‘Lasting Legacies of Eastern Europe’, and has organized the exhibition‘East+Europe: Eastern European Contemporary Art Exhibition’. Yunnia Yang has been invited to its international symposium‘Imagination of Eastern Europe’ ( Participating Speakers, including Leung Mee-ping (Curator of “East + Europe: Eastern European Contemporary Art Exhibition),Solvita Krese (Director of Latvian Museum of Contemporary Art),Lukasz Surowiec (Polish artist),Neno Belchev (Bulgarian artist),and Pavlina Mladenova (Bulgarian artist)). In the symposium, Yunnia Yang shared her two-year research scotch glasses and observation on Russia and Eastern Europe. Since 2011, Yunnia Yang has written several articles on the contemporary arts of Russia and Eastern Europe for Taiwanese art journals ‘Art Investment’ and‘Art Collection + Design’. In addition, The Chinese University of Hong Kong has invited her to write the keynote article ‘Constructing the National Mythology of Utopia: Development of the Russian Art in the Twentieth Century' for the University’s scotch glasses Bimonthly Review 'Twentieth-First Century' on February 2014.
The International Creative Exhibition 'Imagining Crisis' has been presented at the Museum of Contemporary Art Taipei from September 15 till October 14, 2014. This video project has toured around the contemporary art centers in Poland, Serbia and Bulgaria. The curator Yunnia Yang invited 10 artists, 11 videos from Asia, Europe and Latin America to join this project, including experimental films, videodances, stop motions, etc. 'Imagining Crisis' departs from the anxieties of the artists about the artistic creation and the art world, our society twisting the essence of an individual very muc